i put “All I Want for Christmas is You” through a MIDI converter, and then back through an mp3 converter
the result is this garbage
I’m driving myself up the wall because I swear I can hear the vocal line but I don’t know how that could be if it was truly converted to MIDI. Unless you can replicate speech sounds entirely with modulated MIDI notes, in which case I’m actually impressed with this tire fire of an MP3.
what if instead of a professional orchestra there were a bunch of little shits playing bach and mahler on fucking plastic recorders with maracas in the background
Kidz bop opera, with censored lyrics and sugar-coated plots
O.o Bad idea.
Kidz Bopera
1812 with party poppers instead of cannons though
In the Mahler symphonies instead of using hammers they just hit a paper plate with a plastic spoon
Instead of “Mars, Bringer of War” it’s called “Mars, the Meanie”
In the Rite of Spring, the Chosen virgin just dances till she gets sleepy
Using like a low pitched toy piano instead of actual timpani
Bach - no. just no. one time bach got into a fight with a bassonist over his bassoon part, and, i quote John Elliot Gardiner, “was forced to draw his sword and defend himself.” bassoon rage is terrifying, and bach was able to hold him off even though it was a surprise attack. don’t fight bach. you’ll lose. (plus if by some miracle you won, you’d have 18 children after you to avenge their father. do you really want small bachs chasing you the rest of your days?)
Handel - you could take handel probably. no killer instinct. do not let him get too close - he threatened to throw a singer out of a window once and could probably have carried through. take him down through attrition.
Haydn - you could absolutely take haydn. take him down quickly before he has a chance to trick you.
Mozart - depends. instrumentalists probably possess enough resentment to take him on easy. vocalists…could you really bring yourself to fight mozart? his arias are so nice. so flashy. so singable. go fight haydn instead. unless you’re a contralto. then absolutely fight mozart. fight everyone on this list.
Beethoven - DO NOT FIGHT BEETHOVEN. DO NOT FIGHT BEETHOVEN. DO NOT FIGHT BEETHOVEN. you will lose.
Schubert - why would you want to fight schubert. he is a precious tiny forest spirit who just wants to compose lovely songs. the only person who is authorized to fight schubert is the accompanist who has just been asked to play erlkonig for the sixth time. and even they will feel bad afterwards. go fight rossini instead.
Berlioz - yes. fight berlioz. absolutely fight berlioz. sure, afterwards you won’t be able to brag that you defeated berlioz since no one outside of music knows who he is, but at least you’ll have a good victory on your hands.
Liszt - tough fight. liszt is 6 feet tall and has massive yaoi hands judging from his music. take him down from afar.
Chopin - please dont fight chopin. you’re better than that. it would be too easy. give yourself more of a challenge.
Brahms - this is a fight that you can win. just tell him you’re from the future and he never lived up to Beethoven’s name. don’t feel bad when he starts to cry. just take him down then and there.
Schumann - don’t do it. the problem is not robert himself, it’s the fact that clara will come after you. and she will beat you. this has nothing to do with you or your fighting abilities - if you fight robert schumann clara will find you and clara will end you.
Wagner - ABSOLUTELY FIGHT WAGNER. PLEASE fight wagner. I will pay literal, actual money to watch someone beat up wagner. you will get lots of help from everyone else in the music world including other composers. even if you have just fought them. everyone wants to see richard “dick” wagner taken down. the only person in the music world more utterly fightable than wagner is andrew lloyd webber.
Verdi - go fight wagner instead.
Stravinsky - do not fight stravinsky. he will fuck you up.
Mahler - the same fight as brahms, except even easier.
Schoenberg - schoenberg has nothing to lose. he will be vicious. he will fight to his last breath. and when you are standing over him, bloodied, he will look up at you. and he will thank you. you will carry a twinge of uneasiness around with you for the rest of your life. occasionally you will hear a tone row in the distance. do not listen, do not investigate, or schoenberg will have won after all.
The Boston Symphony was performing Beethoven’s Ninth. In the piece, there’s a long passage about 20 minutes during which the double basses have nothing to do. Rather than sit around the whole time looking stupid, some bassists decided to sneak offstage and go to the tavern next door for a quick one. After slamming several beers in quick succession (as double bassists are prone to do), one of them looked at his watch. “Hey! We need to get back!”
“No need to panic,” said a fellow bassist. "I thought we might need some extra time, so I tied the last few pages of the conductor’s score together with string. It’ll take him a few minutes to get it untangled.“
A few moments later they staggered back to the concert hall and took their places in the orchestra. About this time, a member of the audience noticed the conductor seemed a bit edgy and said as much to her companion.
“Well, of course,” said her companion. “Don’t you see? It’s the bottom of the Ninth, the score is tied, and the bassists are loaded.”
Anonymous
